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Gloria Anzaldua, Borderland
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Gloria Anzaldua defines and explores a contact zone that she calls the "borderland," for her between Mexico and the U. S., with its different centers of Chicana/o culture. Moreover, she extends the geographical definition to include cultural, physical, spiritual, sexual, and linguistic spaces--where "two or more cultures edge each other, where people of different cultures occupy the same territory, where under, lower, middle, and upper classes touch, where the space between two individuals shrinks with intimacy." She also exemplifies a self-conscious border identity. What follows is the "Preface" to her Borderlands/La Frontera: The New Mestiza, San Francisco: Aunt Lute Book Company, 1987. The actual physical borderland that I'm dealing with in this book is the Texas-U.S Southwest/Mexican border. The psychological borderlands, the sexual borderlands and the spiritual borderlands are not particular to the Southwest. In fact, the Borderlands are physically present wherever two or more cultures edge each other, where people of different races occupy the same territory, where under, lower, middle and upper classes touch, where the space between two individuals shrinks with intimacy. I am a border woman. I grew up between two cultures, the Mexican (with a heavy Indian influence) and the Anglo (as a member of a colonized people in our own territory). I have been straddling that tejas-Mexican border, and others, all my life. It's not a comfortable territory to live in, this place of contradictions. Hatred, anger and exploitation are the prominent features of this landscape. However, there have been compensations for this mestiza, and certain joys. Living on borders and in margins, keeping intact one's shifting and multiple identity and integrity, is like trying to swim in a new element, an "alien" element. There is an exhilaration in being a participant in the further evolution of humankind, in being "worked" on. I have the sense that certain "faculties"— not just in me but in every border resident, colored or noncolored—and dormant areas of consciousness are being activated, awakened. Strange, huh? And yes, the "alien" element has become familiar—never comfortable, not with society's clamor to uphold the old, to rejoin the flock, to go with the herd. No, not comfortable but home. This book, then, speaks of my existence. My preoccupations with the inner life of the Self, and with the struggle of that Self amidst adversity and violation; with the confluence of primordial images; with the unique positionings consciousness takes at these confluent streams; and with my almost instinctive urge to communicate, to speak, to write about life on the borders, life in the shadows. Books saved my sanity, knowledge opened the locked places in me and taught me first how to survive and then how to soar. La madre nat~raleza succored me, allowed me to grow roots that anchored me to the earth. My love of images—mesquite flowering, the wind, Ehécatl, whispering its secret knowledge, the fleeting images of the soul in fantasy—and words, my passion for the daily struggle to render them concrete in the world and on paper, to render them flesh, keeps me alive. The switching of "codes" in this book from English to Castillian Spanish to the North Mexican dialect to Tex-Mex to a sprinkling of Nahuatl to a mixture of all of these, reflects my language, a new language—the language of the Borderlands. There, at the juncture of cultures, languages cross- pollinate and are revitalized; they die and are born. Presently this infant language, this bastard language, Chicano Spanish, is not approved by any society. But we Chicanos no longer feel that we need to beg entrance, that we need always to make the first overture—to translate to Anglos, Mexicans and Latinos, apology blurting out of our mouths with every step. Today we ask to be met halfway. This book is our invitation to you—from the new mestizas.
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