Home | BAC/Teze | Biblioteca | Jobs | Referate | Horoscop | Muzica | Dex | Games | Barbie

 

Search!

     

 

Index | Forum | E-mail

   

Lidia Vianu - Director of CTITC (CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT), Bucharest University, Professor of Contemporary British Literature at the English Department of Bucharest University, Member of the Writers’ Union, Romania.

 

 
 
 
 
 Meniu rapid  Portalul e-scoala | CAMPUS ASLS | Forum discutii | Premii de excelenta | Europa

 

 

 

 

 

CTITC

CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT
CENTRUL PENTRU TRADUCEREA SI INTERPRETAREA TEXTULUI CONTEMPORAN

 

 < back  

 

 TRANSLATION CAFÉ 


 

MTTLC
MA Programme for the

TRANSLATION OF THE CONTEMPORARY LITERARY TEXT

Review of Contemporary Texts in Translation and E-Learning

 

 

 

MARGARET ATWOOD

The Handmaid’s Tale
 


Doubled, I walk the street. Though we are no longer in the Commanders' compound, there are large houses here also. In front of one of them a Guardian is mowing the lawn. The lawns are tidy, the facades are gracious, in good repair; they're like the beautiful pictures they used to print in the magazines about homes and gardens and interior decoration. There is the same absence of people, the same air of being asleep. The street is almost like a museum, or a street in a model town constructed to show the way people used to live. As in those pictures, those museums, those model towns, there are no children. This is the heart of Gilead, where the war cannot intrude except on television. Where the edges are we aren't sure, they vary, according to the attacks and counterattacks; but this is the center, where nothing moves. The Republic of Gilead, said Aunt Lydia, knows no bounds. Gilead is within you.Doctors lived here once, lawyers, university professors. There are no lawyers anymore, and the university is closed. Luke and I used to walk together, sometimes, along these streets. We used to talk about buying a house like one of these, an old big house, fixing it up. We would have a garden, swings for the Children. We would have children. Although we knew it wasn't too likely we could ever afford it, it was something to talk about, a game for Sundays. Such freedom now seems almost weightless. We turn the corner onto a main street, where there's more traffic. Cars go by, black most of them, some gray and brown. There are other women with baskets, some in red, some in the dull green of the Marthas, some in the striped dresses, red and blue and green and cheap and skimpy, that mark the women of the poorer men. Econowives, they're called. These women are not divided into functions. They have to do everything; if they can. Sometimes there is a woman all in black, a widow. There used to be more of them, but they seem to be diminishing. You don't see the Commanders' Wives on the sidewalks. Only in cars.The sidewalks here are cement. Like a child, I avoid stepping on the cracks. I'm remembering my feet on these sidewalks, in the time before, and what I used to wear on them. Sometimes it was shoes for running, with cushioned soles and breathing holes, and stars of fluorescent fabric that reflected light in the darkness. Though I never ran at night; and in the daytime, only beside well-frequented roads.Women were not protected then.I remember the rules, rules that were never spelled out but that every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night.

 

 

 

 

Moise Alexandru

 

Margaret Atwood
 

Povestirea servitoarei – Capitolul V
 


Merg pe strada impreuna cu cineva. Desi nu mai suntem in tabara comandantului, sunt case mari si aici. In fata uneia un gardian tunde peluza. Peluzele sunt intretinute, fatadele sunt gratioase, in stare buna; sunt ca imaginile pe care obisnuiau sa le publice in revistele despre case, gradini si decoratiuni interioare. Este aceiasi absenta a oamenilor, acelasi aer parca de somn. Strada este asemenea unui muzeu, sau a unei strazi intr-un oras model construit sa arate felul in care oamenii obisnuiau sa traiasca. La fel ca in acele imagini, acele muzee, acele orase model, nu sunt copii.
Aceasta este inima Galaadului, unde razboiul nu poate patrunde decat prin televizor. Nu suntem siguri unde sunt limitele, acestea variaza, in functie de atacuri si contraatacuri; dar acesta este centrul, unde nimic nu se misca. Republica Galaad, spunea matusa Lydia, nu cunoaste limite. Galaad este inauntrul tau.
Doctori locuiau aici odata, avocati, profesori universitari. Nu mai sunt avocati, iar universitatea este inchisa.
Luke si eu obisnuiam sa mergem impreuna, uneori, de-a lungul acestor strazi. Obisnuiam sa discutam despre cumpararea unei case ca acestea, o casa mare si veche, sa o reconditionam. Am avea o gradina, leagane pentru copii. Am avea copii. Desi stiam ca nu era foarte probabil ca am fi putut vreodata sa ne-o permitem, era un totusi un subiect de discutie, un joc pentru duminici. O asemenea libertate pare acum aproape intangibibila.
Trecem de colt spre o strada principala, unde este mai mult trafic. Trec masini, majoritatea negre, cateva gri si maro. Sunt si alte femei cu cosuri, unele in rosu, altele in verdele pal al Marthelor, unele in rochiile dungate in rosu si albastru si verde, ieftine si sumare, ce desemneaza femeile barbatilor mai saraci. Econosotii, asa sunt numite. Aceste femei nu sunt impartite in functii. Trebuie sa faca totul; daca pot. Uneori mai este cate o femeie imbracata toata in negru, o vaduva. Inainte erau mai multe, dar se pare ca numarul lor se diminueaza. Nu vezi sotiile comandantilor pe trotuar. Doar in masini.
Trotuarele aici sunt din ciment. Asemeni unui copil, evit sa calc pe crapaturi. Imi aduc aminte de picioarele mele pe aceste trotuare, in vremurile de dinainte, si cu ce obisnuiam sa le incalt. Uneori era incaltaminte pentru alergat, cu talpi cu pernita si gauri de aerisire, si stele din material fluorescent ce reflectau lumina in intuneric. Desi nu alergam niciodata noaptea; iar ziua, doar de-a lungul drumurilor foarte frecventate. Femeile nu erau protejate pe atunci.
Imi amintesc regulile, reguli ce nu erau niciodata rostite, insa pe care fiecare femeie le stia: Nu deschide usa unui strain, chiar daca spune ca este de la politie. Fa-l sa-si strecoare actul de identitate pe sub usa. Nu te opri pe sosea ca sa ajuti un automobilist ce pretinde ca are probleme. Tine portierele incuiate si continua la drum. Daca cineva fluiera, sa nu intorci capul. Sa nu intri intr-o spalatorie, singura, noaptea.
 

 

LICENTA  LUCRARI DE DIPLOMA  DOCTORATE  TRANSLATION CAFÉ  THE JOI JOY  GRUP DE DISCUTII  Translation in high school  CONTACT

 

Home | BAC/Teze | Biblioteca | Referate | Games | Horoscop | Muzica | Versuri | Limbi straine | DEX

Modele CV | Wallpaper | Download gratuit | JOB & CARIERA | Harti | Bancuri si perle | Jocuri Barbie

Iluzii optice | Romana | Geografie | Chimie | Biologie | Engleza | Psihologie | Economie | Istorie | Chat

 

Joburi Studenti JOB-Studenti.ro

Oportunitati si locuri de munca pentru studenti si tineri profesionisti - afla cele mai noi oferte de job!

Online StudentOnlineStudent.ro

Viata in campus: stiri, burse, cazari, cluburi, baluri ale bobocilor - afla totul despre viata in studentie!

Cariere si modele CVStudentCV.ro

Dezvoltare personala pentru tineri - investeste in tine si invata ponturi pentru succesul tau in cariera!

 

 > Contribuie la proiect - Trimite un articol scris de tine

Gazduit de eXtrem computers | Project Manager: Bogdan Gavrila (C)  

 

Toate Drepturile Rezervate - ScoalaOnline Romania